Special Bridges

Frequently, we are forced to use a different bridge than our usual open or closed bridge that we may be comfortable with. In special situations such as bridging against or near the rail, jacked up over balls, or have a tight space to lay our bridge down, it’s very important that we give these instances a little extra attention.

Here are some things to think about when you find yourself faced with an unusual bridge:

1. Lay your cue down first. It can be very helpful when you are faced with a rail shot to lay your cue down first in the line of the shot, hold it steady, and then make your bridge around it. This will help ensure that if you need to adjust anything, it’s your bridge only and not your aim. It can be a bit awkward to try to flop your entire hand with bridge down when you’re using an unusual bridge.This one’s my favorite.
2. Make your bridge twice. Tom Ross shared this little tip with me after a match a few years ago when he watched me miss a shot after fidgeting with my bridge a few times. He said whenever you have a situation where you have a touchy bridge, make your bridge twice; the first time with your eyes on the cue ball and the second time with your eyes on the object ball. Of course, you can make your bridge again after that if you still don’t feel comfortable, but this little tip has helped me tremendously.This technique applies more to shots where you are jacked up or have little room to bridge normally and you want to make sure you don’t bump any nearby balls.
   

   This technique applies more to shots where you are jacked up or have little room to bridge normally and you want to make sure you don’t bump any nearby balls.

   In most instances, you should be addressing the shot with your eyes on the object ball. (If you’re not, that a whole different article.) When you have a delicate bridge, it’s natural to divert your attention to your bridge versus making the shot. So, the first time you make your bridge, keep your eyes on the cue ball with the line of the shot in your peripheral vision and make sure you find a nice, comfy spot for your bridge hand. Now, keeping your bridge in tact, get up again and this time, address the shot with your eyes on the aiming point of the object ball and carefully replace your bridge hand.

3. Lastly, make sure your cue is level. Well, as level as it can possibly be. In some instances, we may be bridging over a ball or rail and it’s impossible to stay level. Just be sure you are not adding any additional unnecessary elevation to the cue.

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